As a recent arrival in Northern NSW, Claire Conroy’s exhibition explores themes of relocation, displacement and connection. The sky from here unfolds relationships between people and environment. Conroy’s images are captured with the soft and reversed effects of pinhole photography, created using a camera obscura the artist made from a 1950s caravan. This collection of work surveys Conroy’s practice of creating enigmatic and haunting interpretations of the physical world: reflections on nature, land and people.
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Claire Conroy, Melissa 2025, digitally manipulated pinhole photograph (detail). Courtesy the artist
