image of raised house with stilts and ladder
image of raised house with stilts and ladder
Vitor Dos Santos, '13 Bright Street' 2014 mixed media on board

Vitor Dos Santos

I wish my house had legs

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Vitor Dos Santos explores painting as an analytical exercise of finding personal motifs and imagery, and exploring form, colour and the medium of paint. In his exhibition, I wish my house had legs, Dos Santos whimsically reflects on the shortage of affordable housing in Australia, which makes house ownership impossible for Australians without a significant, stable income or family support. ‘I wish my house had legs'… if only it could be that easy.

image of house on legs
Vitor Dos Santos, '21 Avondale Avenue' 2014 mixed media

Exhibitions

An orange, yellow and grey painting of two figure hunched over exchanging flames, by Clare Milledge
Clare Milledge
complex notophyll vine forest: ground-proof
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A room of people looking at a large projection
Marian Tubbs
And then plants are confused with stones. Rocks look like brains, stalactites like breasts, veins of iron like tapestries adorned with figures
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A white ceramic sculpture of two doll heads and a mollusc shape in between
Belinda Smith
Headstands and other feats of normal life
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A colour photo of a silouetted figure standing next to a gate in a tunnel with the sea behind them
Isaac Julien
Western Union: small boats (The leopard)
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Guy Fredericks, Bleeding hearts and Morning glory (installation). Image courtesy Studio A
Guy Fredericks with Studio A
Bleeding hearts and Morning glory
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Damian Showyin, Suede blue (installation view), Mosman Art Gallery. Photo by Jacquie Manning
Damian Showyin with Studio A
Suede blue
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Sandra Kaji O’Grady 'Mixed gods' (detail) 2025, acrylic on cardboard box. Courtesy the artist
Sandra Kaji O’Grady
Boding
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Marian Tubbs 'lotus eaters (wellness)' (detail) 2025, lenticular photograph. Courtesy the artist and STATION.
Marian Tubbs
I don’t sleep I just dream: unrefined in high definition
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Narmada Smith 'Shut Up and Paint' (detail) 2023, oil on canvas. Courtesy the artist
Narmada Smith
Colour : gentle awareness
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Sarah Ujmaia 'And thank you to my baba for laying the timber floor' 2024. Photo by Christian Capurro.
Sarah Ujmaia
Marmoreum (28°48’34.4”S 153°16’45.6”E)
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Babette Robertson 'When we were in a forest, but the forest was called Paris’ (detail) 2025, oil and water-based pigment on canvas. Courtesy the artist.
Babette Robertson
And her hallway moves like the ocean
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Lindy Lee ‘The topography of rain’ 2022, fire, Chinese ink and rain on archival paper. Donated through the Australian Government’s Cultural Gifts Program by Lindy Lee.
Lismore Regional Gallery Permanent Collection
Recent acquisitions and restored works
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Lismore Regional Gallery

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art.gallery@lismore.nsw.gov.au
PO Box 23A, Lismore NSW 2480

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Lismore Regional Gallery acknowledges the Widjabul Wia-bal people of the Bundjalung Nation as the traditional owners of the land upon which the gallery stands. We pay respects to elders past, present and emerging and extend that respect to all First Nations cultures and their contributing connection to land, waters, community and the arts.

Lismore Regional Gallery is a creative initiative of Lismore City Council supported by the New South Wales Government through Create NSW and the Friends of the Gallery.

 

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Banner image attribution: Clare Milledge, sruth 2021. Courtesy the artist and STATION Gallery.

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Lismore Regional Gallery acknowledges the Widjabul Wia-bal people of the Bundjalung Nation as the traditional owners of the land upon which the gallery stands. We pay respects to elders past and present, and extend that respect to all First Nations peoples and their continuing connection to land, waters, community and the arts.