Colour theory is a key concern in the multi-decade practice of Narmada Smith. Across time she has recognised that the observation of vivid colour is elevating to the consciousness of the viewer and is a means for transformation. Looking at art slowly, while reflecting on the relationships between colour, form and composition, evokes an instinctive visceral experience. Smith believes this alertness frees the viewer to look, think and breathe, initiating an unfolding of gentle awareness. Smith’s practice is underpinned by an enduring obsession with the sensory impact of colour, and its links to modern art practice and Indian mysticism, having spent large parts of her life living in India.
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Narmada Smith 'Shut Up and Paint' (detail) 2023, oil on canvas. Courtesy the artist.
